At the risk of sounding like a fourteen year old girl dizzy on lemonade, Sydney Theatre Company’s Midsummer (a play with songs) is one of the most entertaining shows this reviewer has seen. Written and directed by one of Scotland’s leading playwrights, David Greig, there is very little not to like.

Witty and uninhibited, laconic and fresh, Midsummer is an honest exploration of the lives we forget to lead, the dreams we abandon and, well, disappointment generally. Despite its gloom, the play is unbelievably funny and completely engaging. It moves at a relentless pace, punctuated by the occasional musical number and unscripted conversations with audience members.

The script is particularly well written with sharp and dynamic dialogue that allows the play’s actors to flesh out their respective characters. It is, however, the acting ability of Cora Bissett and Matthew Pidgeon that is the most striking feature of the production. Bissett and Pidgeon are entirely immersed and completely comfortable in their roles, which is probably indicative of the three years the show has been touring internationally.

Midsummer is a remarkable production unlike anything this reviewer has seen. Unfortunately, the show will only be playing at the Opera House’s Drama Theatre until 10 March. You’ll need to be quick.

Midsummer will run at Sydney Theatre Company’s main stage until March 3. For further details and tickets, visit the Sydney Theatre Company.